从雅集图“观”女性园林空间的景与境

To“View”the Landscape and Ideorealm of Female’s Garden Space from the Ya Ji Painting

摘要:

雅集作为中国古代以男性为主体的文人雅致生活的表现方式，在明清以后，以女性为主体的雅集活动逐渐兴起。私家园林作为女性雅集的空间载体，被文学作品或图像史料予以记录和直观表达，为研究园林中的女性活动空间提供了重要基础。研究采用图像分析法和社会学分析方法，从文人结社与女性雅集的关系入手，以清代《湖楼请业图》为研究对象，对湖楼诗会的时空背景做出阐述，围绕园林空间分布、 景观要素经营和女性活动特点三方面探讨了二维图像所表现的人景关系；同时拓展到对该时期才女群体所创造的独特文化景观的理解。

Abstract:

As an expression of the elegant life of the male-dominated in ancient China，Ya Ji activities with females as the main body gradually emerged after the Ming and Qing dynasties. As the spatial carrier of women's Ya Ji activities，private gardens were recorded and visualized by literature works or image historical materials，which provided an important foundation for the study of women's activity space in gardens. Using the methods of image analysis and sociological analysis，and starting from the relationship between literati associations and women's Ya Ji activities，the research takes the "Hu Lou Qing Ye Tu" of the Qing dynasty as the research object to elaborate on the temporal and spatial background of the Hu Lou poetry event and discusses the relationship between people and landscape expressed in two-dimensional images from three aspects： the distribution of garden space，the operation of landscape elements，and the characteristics of women's activities. It also expands the understanding of the unique cultural landscape created by the talented women group in the period.