从沅陵龙兴讲寺大雄宝殿彩画解读湖南地区明清时期旋子彩画演变规律

Interpretation of the Evolution of the Color Paintings of the Xuan Zi in the Ming and Qing Dynasties in Hunan Province from the Color Paintings of the the Shakya ManiHall of the Longxingjiang Temple in Yuanling

摘要:

龙兴讲寺大雄宝殿是湖南现存最早的地面木结构建筑之一，殿内梁枋彩画丰富，兼有官式和民间彩画的特征，为其他地方所不常见。通过实地调研与测绘，将大雄宝殿梁枋彩画式样与明清时期官式彩画进行比对，同时对不同纹样逐一探源，推断出大雄宝殿梁枋彩画的起源与变迁过程。以龙兴讲寺大雄宝殿为切入点，探究明清时期湖南地区旋子彩画由官式向民间演变的规律。

Abstract:

The Mahavira Hall of Longxing lecture temple is one of the earliest existing ground wooden structure buildings in Hunan. There are rich Liang Fang color paintings in the hall, which have the characteristics of both official and folk color paintings, and are uncommon in other places. Through on-the-spot investigation and mapping, this paper compares the patterns of Liang Fang color paintings in the main hall with the official color paintings in the Ming and Qing Dynasties, explores the origin of different patterns one by one, and infers the origin and change process of Liang Fang color paintings in the main hall. Taking the main hall of the lecture temple in Longxing as a starting point, this paper explores the law of the evolution of xuanzi color paintings in Hunan from official style to folk style in the Ming and Qing Dynasties.