独乐寺建筑与塑像一体化设计模式探析 #

An Exploration of the Integrated Design Model for Architecture and Statues of Dule Temple

摘要:

独乐寺蕴含基于文化理念和整尺思维的一体化设计模式，将院落规划、建筑空间设计和塑像布设通盘考量，以十一面观音面长（1.338m合 4.5 尺）作为基准长统摄像、阁、寺各级尺度，使各部分具有和谐的比例关系，设计时令观音心部位于阁心并作为原点，综合运用方格网、同心圆、放射线等手段实现核心要素的对位关联，形成具有空间互动性及文化内涵的整体，体现出中国古代的“天圆地方、建极向心”宇宙观、“数形义合一”营造思想、“型范”思维和人本理念。

Abstract:

Dule Temple contains an integrated design model based on the cultural concept and the idea of measuring the whole scale, taking into account the overall planning of the courtyard, the design of the architectural space and the installation of statues. It taking the facial length of the statue (1.338 meters or 4.5 Chi) as the datum quantity to control the scales of the statue, pavilion and temple, and to create a harmonious proportional relationship between the various elements. The origin of design is heart of the statue of Avalokitesvara, it was set in the geometric center of the pavilion. The square grid, concentric circles and radiation are used to effectively realize the counterpoint association of core elements, forming a whole with spatial interaction and cultural connotation. This shows the ancient Chinese cosmology o“Round Sky and Square Earth, Setting the Pole and Construct Centripetally”, the idea of Yingzao(Create buildings and other things) of “Unity of number, form and cultural meaning”, the thinking of “Orders” and the philosophy of human-centered.