道隐天地，咫尺情韵 ——以云南凤庆石洞寺浅观中国理想人居

The Tao is Hidden in Heaven and Earth, and Fun is Everywhere —— The Ideal Chinese Habitat from the Perspective of Fengqing Shidong Temple in Yunnan

摘要:

中国人对山水之迷恋已是极致，一则因山水媾和万物阴阳两态之流变认识；二可借山纹水脉暗通昆仑神话之时空不尽。前者构建其认知世界之方法，后者为维稳其文化溯源所求之本源归属感，以及忘化时空、死生之界域囿限。亘古亘今，隐处丘园者，究其思想，多染映于道佛之法，而返窥宗教名山，素于山林最胜处，得居游自足之洞庭妙所，何也？遂凭托云南石洞寺，借境生文，以其“行望居游”之体验品判，引发今之园构，师法何式之问；究源古之隐者，生死流变之忧；承启当下居境，适宜理式之思。

Abstract:

The Chinese fascination with landscape is already extreme, firstly, because of the way in which it makes peace with the fluidity of all things,yin and yang, and secondly, because of the way in which the patterns of the mountains and water veins imply the endlessness of the Kunlun myth of space and time. The former is to construct a method of cognition of the world, while the latter is to maintain a sense of belonging to its cultural origins and to forget the confines of time and space and the realm of death and life. Throughout the ages, those who have lived in seclusion in the hills and gardens have mostly reflected their thinking in the teachings of Taoism and Buddhism, but why did they return to the famous religious mountains, which are the most beautiful places in the mountains and forests, where they have been able to live and travel in a self-contained cave? This is the reason for the use of the Shidong Temple in Yunnan to create an essay on his experience of "walking, looking, living and travelling", which raises the question of what kind of teaching is being used in today's gardens; to inquire into the origins of the ancient hermits and their worries about the changes in life and death; and to inspire the current living environment and the thought of appropriate rationale.