寓画于园，以画探园：《红楼梦》大观园园林空间的画意营造 #

Researching Chinese Gardens through Pictorial Records：The Pictorial Creation of the Garden Space of the Grand View Garden in A Dream of Red Mansions

摘要:

曹雪芹对大观园的空间营造与当时寓画于园的宗旨息息相关，以山水画的空间法则解析大观园园林空间营造意匠，可以拓宽中国传统园林空间的画意内涵。大观园园林空间在动态游观法则下，从整体与局部、空间序列、景观集群三个方面推进了园林空间形态的完善；在气韵生动法则下，从风声、水声、动物声三种声景营造加强了园林空间结构的音韵流通；在象征隐喻法则下，从植物象征与文学象征引发了园林空间氛围的意境呈现。大观园园林空间的画意营造，既继承了传统文化的经典内核，又有园林空间形态、结构与氛围方面的创新和拓展，体现了诗意栖居的和谐境界。

Abstract:

Cao Xueqin's creation of the space Grand View Garden is closely related to the painting theory that painting could become a garden at that time. The spatial rules of landscape painting can expand the connotation of the traditional Chinese garden space in a pictorial sense. Under the rule of dynamic sightseeing, the garden space of Grand View Garden has improved the overall framework form of the garden from three aspects: the whole and the local, the spatial sequence and the landscape cluster. Under the rule of rhythmic vitality, the construction of three soundscapes, wind, water and animal sounds, which promoted the phonological circulation of garden space structure. Under the rule of symbolic metaphor, the artistic conception of garden space is presented by plant symbol and literary symbol. The picturesque creation of the garden space in Grand View Garden reflects the harmonious realm of poetic dwelling. It not only inherits the classical core of traditional culture, but also innovates and expands the space form, structure and atmosphere of the garden.