敦煌经变画中佛寺空间布局的还原与研究#

Restoration and Research on the spatial layout of Buddhist temples in Dunhuang Sutra painting

摘要:

经变画是对佛经内容进行图示化表达的一种中国独有的佛教艺术衍生品，其方便人们更直观的看懂佛教义理。这种艺术形式从出现到历经数百年的发展变化，无论是从画面内容、画面题材、画面大小、画面布局均有了一定程度的改变。敦煌经变画则通常指敦煌壁画中将某一部甚至某几部有关佛经之主要内容组织成首尾完整、主次分明的大画。本文将通过对敦煌经变画中佛寺空间的平面还原，研究其空间布局及发展特征。

Abstract:

Sutra painting is a unique Chinese Buddhist art derivative that graphically expresses the content of Buddhist scriptures. It is convenient for people to understand the meaning of Buddhism more intuitively. This art form has experienced hundreds of years of development and changes from its appearance to its appearance. It has changed to a certain extent in terms of picture content, picture theme, picture size and picture layout. Dunhuang Sutra painting usually refers to a large painting in which the main contents of a certain or even several Buddhist sutras are organized into a complete and clear primary and secondary painting in Dunhuang murals. This paper will study the spatial layout and development characteristics of the Buddhist temple space in Dunhuang Sutra painting.