太原纯阳宫八卦窑楼地域营造技术研究 #

Research on the regional construction technology of Bagua kiln building in Taiyuan Chunyang Palace

摘要:

太原纯阳宫九宫八卦院集道家文化布局与山西地域建筑形式于一体，建筑组合既有宫观属性，又含地域窑房特色。为探究晋中宫观窑上建房地域性多维表达；文章通过资料收集、实地调研、测绘建模的方法；将八卦院建筑作为研究对象，以其中“洞、亭、楼、阁”建筑组合拆解为例，分析其院落现状、地域建筑类型、地域建造技术及地域构件工艺等，探析八卦院建筑形制、结构、装饰在山西地域文化背景下的表达应用，对比同时期同地域的建筑营造方式及同时期不同地域的建筑构件工艺，挖掘地域性建筑的结构技术共性及装饰工艺特性；印证地域社会价值，为纯阳宫八卦院建筑的地域性表达提出依据，为研究晋中宫观窑房形制提供地域风格实例。

Abstract:

The nine palaces and eight trigrams of Chunyang palace in Taiyuan concentrate on the layout of Taoist culture and the regional architectural form of Shanxi. The architectural combination has both Taoist architectural attributes and Shanxi kiln house characteristics. In order to explore the regional multi-dimensional expression of the Taoist kiln house in Jinzhong, this paper takes the Bagua academy architecture as the research object, through the analysis of the status quo, regional architectural types, architectural technology, component art and other aspects of Jinzhong Taoist building, discusses the regional multi-dimensional expression of the Taoist kiln house in Jinzhong. Through the methods of data collection, field investigation, surveying and mapping modeling, taking the combination of "cave, pavilion, building and Pavilion" as an example, this paper compares the performance and application of structure and decoration, and compares the construction methods in the same area. This paper confirms the regional social value, puts forward the basis for the regional expression of Bagua yuan architecture, and provides a regional style example for the study of the shape of Gongguan kiln in Jinzhong.