以点带面：圆明园规月桥的景致模式探析#

From Point to Surface: Analysis of Landscape Pattern of Guiyue Bridge in the Old Summer Palace

摘要:

圆明园是中国古代造园艺术的集大成者，承载着古人独特的营造智慧。现有研究多聚焦于宏观或中观的园林景致，较少关注微观层面的桥景营造。通过对圆明园廓然大公的规月桥的文献考证和实地调研，首先理清规月桥的历史变迁；并对规月桥的桥景进行四个维度的分析：桥是造景之元素——观桥成景；桥是观景之场所——立桥观景；桥是联景之枢纽——过桥换景；桥是文化之载体——因桥生境。最后，总结规月桥的景致模式，以点带面，探析圆明园廓然大公的园林营造艺术，挖掘古人的整体观营造智慧，为当代人居环境建设提供有益思路。

Abstract:

The Old Summer Palace is the synthesizer of ancient Chinese garden art, carrying the unique architectural landscape design wisdom of the ancients. Most of the existing studies focus on the macro or meso landscape, and pay less attention to the bridge landscape design at the micro level. Through the literature research and field investigation of Guiyue bridge of Kuo Rang Da Gong garden in the Old Summer Palace, firstly, clarify the historical change process of Guiyue bridge; It also analyzes the bridge landscapes of Guiyue bridge from four dimensions: the bridge is the element of landscape - bridge as the scenery; The bridge is a place for viewing - scenery from the bridge; The bridge is the hub of connecting scenery space -scenery conversion by the bridge; Bridge is the carrier of culture - bridge as the artistic conception. Finally, summarize the landscape pattern of Guiyue bridge, from point to surface, explore the garden art of Kuo Rang Da Gong garden, excavate the wisdom of the ancients' holistic view of architectural landscape design, and provide useful ideas for the design of contemporary human settlements.