空间往复与对景设计#——中国传统景观空间设计研究

Spatial Reciprocation and the Design of Opposite Scenery——Research on Chinese Traditional Landscape Space Design

摘要:

公元四世纪文人雅士的“兰亭会”、宗炳的《画山水序》等文学作品的出现，标志着中国有了明晰的风景文化。中国人偏爱山川的旷阔，追求空间有界而心境的无限扩展，这种意识在与自然不断的互动中逐渐形成了循环往复的思维定势。本文基于“空间往复”这一中国人空间追求上的文化特征，探讨空间往复与对景设计的文化起源，结合古代方志和样式雷图档中的对景设计，从中国人的风景文化和审美角度讨论中国传统景观空间设计的理论和方法。

Abstract:

The emergence of Lan Pavilion assembly organized by refined scholars and literary works such as Preface of Painting Landscape by Zong Bing in the 4th century AD marked that China had a clear landscape culture. Chinese people prefer the broad mountains and rivers, the bounded space and a state of mind with unlimited expansion. In the constant interaction with nature, this kind of consciousness gradually become a kind of cyclic thinking set. Based on ‘spatial reciprocation’, a cultural feature of Chinese people’s pursuit of space, this paper studies the cultural origin of spatial reciprocation and opposite scenery design. Combined with landscape design in ancient local chronicles and Yangshi Lei Archives, this paper also discusses the theory and method of Chinese traditional landscape space design from the perspective of Chinese landscape culture and aesthetics.