基于自然意境的峨眉山寺庵景观理法研究（上）

Research on Landscape Design Theories of Buddhism Temples in Mount Emei based on natural artistic conception（Part I）

摘要:

峨眉山作为四大名山之一，是自然景观与人文景观的有机整体，是中国名山风景区景观理法的典型代表。以峨眉山为切入点，对名山自然意境与人文景观结合的理景方式进行研究 。从自然意境的视角探讨峨眉山的历史沿革。并从空间营造与鉴赏指引两个方面，分析寺庵择址、朝向、尺度形态、庭院环境塑造意境，题名、题对、诗文、民间传说引导意境认知的过程。提取并总结了峨眉山寺庵空间与自然景观相互交融的特征与具体方法，对名山风景区景观理法研究具有支持意义。

Abstract:

As one of the four famous mountains, Mount Emei is an organic whole of natural landscape and human landscape, and is a typical representative of Chinese famous mountain landscape theory. Taking Mount Emei as a starting point, this paper studies the combination of natural artistic conception and cultural landscape of famous mountains. To explore the historical evolution of Mount Emei from the perspective of natural artistic conception. From the two aspects of space construction and appreciation guide, the paper analyzes the process of temple location, orientation, scale form, courtyard environment shaping artistic conception, title, title pair, poetry and folklore guiding the cognition of artistic conception. The features and concrete methods of the integration of Temple Temple Space and natural landscape in Emeishan are extracted and summarized.