“忧乐文化”与景观文化的地域性表达 ——第十届中国 ( 武汉 ) 国际园林博览会岳阳园设计*
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北京自然基金项目 (8172034,8172019)


The regional expression combining "Sadness and happiness culture" and landscape culture ——Illuminated by the Yueyang Garden designing at the 10thChina(Wuhan) International Garden Expo
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    摘要:

    本文从第十届武汉园博园的片区主题“园林与人文艺术”出发,设计以“忧乐文化”为立意主题的岳阳园。“巧于因借”,绘邻园亭子入景墙;“嘉则收之”,纳远山翠黛入屏中,使“忧乐文化”和“地域文化”巧妙的结合于一体。并结合外部空间环境、以雨水花园为载体,营造以“忧乐文化”为主题、融合自然景观与人文景观的园林意境。本文采用提炼承载“忧乐文化”的景观元素;进行烘托“忧乐文化”的景观布局;融入 “渗、滞、蓄、净、利、排”的低影响开发理念等多种手法,以多功能调蓄水体为中心展开设计,通过平面设计与竖向变化有机结合,营造层次丰富的园林景观空间。

    Abstract:

    Starting from the theme of the 10th Wuhan Garden Expo, “Garden and Humanities Art”, this paper designs Yueyang Garden with the theme of Sadness and happiness Culture. It is important to borrowing scenery depended on its environment that the pavilion in the neighboring garden is borrowed into the scenic wall. It is also borrowed into the scene which is perfect though it is outside garden, such as the mountain farway from here into the scene in garden. It can make the Sadness and happiness Culture and regional culture cleverly integrated through those ways. Combined with the external space environment and the rain garden as the carrier, it creates a garden concept with the theme of Sadness and happiness Culture and integrating natural landscape and human landscape. This article adopts the landscape elements that carry the Sadness and happiness Culture ; carries out the landscape layout of Sadness and happiness Culture ; integrates the low-impact development concept of infiltration, hysteresis, storage, net, usage and drainage, etc. The functional storage water body is designed as a center, and the plane design and the vertical change are combined organically to create a rich landscape garden space.

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朱海雄、朱镱妮、李飞、王思元、王茜、韩若东.“忧乐文化”与景观文化的地域性表达 ——第十届中国 ( 武汉 ) 国际园林博览会岳阳园设计*[J].古建园林,2020,(148):87-91转97

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  • 在线发布日期: 2023-07-03
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