敦煌石窟飞天的造型及其演变

The shape and evolution of flying apsaras in Dunhuang grottoes

摘要:

人们只要一看到飞天，便会想到敦煌，而一提起敦煌，便自然会联想到飞天。飞天现在已经幻化为美的化身。传说中飞天能歌善舞，每当佛在讲法时，他们便凌空飞舞，奏乐散花。在印度神话中，飞天是云和水的女神。飞天佛国，是一个五彩缤纷、绚丽多姿、欢乐祥和的乐舞世界。李白在《古风》一诗中就写到：素手把芙蓉，虚步蹑太清。霓裳曳广带，飘拂升天行。正是道出了飞天飞动飘逸的舞姿。那么飞天又是历经了怎样的一个演变过程才成为艺术的符号的呢？

Abstract:

As soon as people see the flying sky, they will think of Dunhuang, and a mention of Dunhuang, it will naturally be Lenovo to the flying sky. The flying sky has now turned into the incarnation of beauty. In the legend, the flying sky can sing and dance well. Whenever the Buddha speaks, they fly in the air and play music and scatter flowers. In Hindu mythology, flying is the goddess of clouds and water. Flying Buddha, is a colorful, colorful, colorful, happy and peaceful world of music and dance. Li Bai wrote in his poem “The ancient style”:. The neon dress drags the broad belt, flutters ascends the heaven line. It is said that the flying flying elegant dance. So what kind of evolution did the flying sky go through before it became a symbol of art?