明代建筑彩画

Archilechmal Colomed Paintings in the Ming Dynasty

摘要:

明代是我国历史上国力比较兴盛的时期，这个时期，大量投资兴建土木工程，形成了明代建筑的独特风格。但明代建筑彩画保留下来的却不太多，文字方面记载更是寥寥。明代建筑彩画经考查分析，基本分为两种图案形式。第一种为“金龙”彩画，此种彩画图案用金量大，在当时建筑彩画中属于高等做法。又称宫殿彩画。“金龙”彩画的次等做法就是“龙草”彩画，这种彩画一般画在皇帝敕建的庙寺建筑上。第二种“旋子彩画”，此种彩画用金量较小，图案简单，但施用范围较广，一般寺庙祠堂等建筑基本普遍应用，本文介绍其题材和做法。

Abstract:

The Ming Dynasty was a prosperous period in China's ancient history, during which a large number of civil engineering projects were built and a unique architectural style was formed. However, there are retained few architectural colored pattern paintings in Ming Dynasty, and less written records. After examination and analysis, the architectural colored pattern paintings of Ming Dynasty can be divided into two types. The first is the "Golden dragon" pattern. This kind of colored painting uses a large amount of gold foil , which is an high level architectural colored painting at that time. Also known as palace colored painting. And next lower level colored painting is "Dragon Tendril " pattern, which is generally painted on the temple buildings built by the emperor. The second kind of "tangent circle"pattern, this kind of colored painting with a small amount of gold foil, simple but a wide range of application, general temples, ancestral temples and other buildings are basically widely used. This paper introduces its art subject and craft methods.